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Letters: <strong>Barbara Richardson</strong> suggests that all National Theatre productions should be livestreamed, while<strong> Sarah Lynch </strong>says regional theatres such as Sheffield’s Crucible deserve credit
The pure joy of theatre is its ability to constantly renew and surprise. For me, 2023 saw a plethora of excellent musicals. Notoriously hard to get right, this year seemed to feature both clever revivals and future successes, many of which remained in my thoughts long after I left the theatre.