failure. our interview with a soldier first on a cbs. less people could have been killed. norah: new car owners beware. you may have to pay to keep those fancy features. hands-free cruise control are sure is nice, but are you willing to pay a subscription fee for it? nothing worth having comes easy. norah: and we go on the road with a pilot whose dreams are sky high. the word impossible is an illusion behind the word possible. it s just a distraction. norah: good evening to our viewers in the west, and thank you for being with us on this friday night. we begin with history in the house of representatives and the expulsion of republican george santos from the halls of congress. what happened today was rare. since the first congress of 1789, more than 11,000 lawmakers have served in the house and just five expelled. that is, until today. santos is now the sixth. what is also rare is a bipartisan vote like we saw today. two weeks ago, the house ethics
willing to cede the future of electric vehicles to china. he said if americans made electric vehicles it would drive down wage said and spell the end of american auto. well, like almost everything else he s said, he s wrong. you have proved him wrong. that s president joe biden stepping up his attacks on donald trump while meeting yesterday with united auto workers. we ll have more of biden s comments and his criticism of his predecessor straight ahead. meanwhile, donald trump is essentially confirming reports that he plans to get revenge on his critics if he wins a second term. we ll play for you that disturbing new interview. and plus, a major development out of the middle east. israel is agreeing to daily humanitarian pauses in gaza. we ll get insight on how that could work and the overall impact on the war with hamas. good morning, and welcome to way too early on this friday, november 10th. we made it to friday, everyone. i m jonathan lemire. thanks for starting
ijust wonder if it continues a theme that i see in so much of your work over a very long time that is, trying to make visible people, communities, things, which are so often invisible to most of us. would that apply to what you ve done here? yes, i think i m trying to do two things, probably more than two things, but i m certainly trying to do two things. i m trying to make a set of artists, who are making really interesting work, more visible, and i m trying to show some of the things that those artists and i have seen, observed, discovered in manchester. rooted here in this place, so what do you think this exhibition tells us about manchester, its past and its present, that might not be familiar to even people who live here? well, i think they might be things that are familiar to people who live here. i see audiences as people who bring their stories to an exhibition. so an exhibition is a place where knowledge is exchanged. but most of the things we re talking about in t
lubaina himid, welcome to hardtalk. thank you. it s a great pleasure to be here at this exhibition, which you have curated. ijust wonder if it continues a theme that i see in so much of your work over a very long time that is, trying to make visible people, communities, things which are so often invisible to most of us. would that apply to what you ve done here? yes, i think i m trying to do two things, probably more than two things, but i m certainly trying to do two things. i m trying to make a set of artists who are making really interesting work more visible. and i m trying to show some of the things that those artists and i have seen, observed, discovered in manchester. rooted here in this place, so what do you think this exhibition tells us about manchester, its past and its present, that might not be familiar to even people who live here? well, i think they might be things that are familiar to people who live here. i see audiences as people who bring their stories to
lubaina himid, welcome to hardtalk. thank you. it s a great pleasure to be here at this exhibition, which you have curated. ijust wonder if it continues a theme that i see in so much of your work over a very long time that is, trying to make visible people, communities, things which are so often invisible to most of us. would that apply to what you ve done here? yes, i think i m trying to do two things, probably more than two things, but i m certainly trying to do two things. i m trying to make a set of artists who are making really interesting work more visible. and i m trying to show some of the things that those artists and i have seen, observed, discovered in manchester. rooted here in this place, so what do you think this exhibition tells us about manchester, its past and its present, that might not be familiar to even people who live here? well, i think they might be things that are familiar to people who live here. i see audiences as people who bring their stories to