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Daphne Leong's got rhythm | College of Music | University of Colorado Boulder

When it comes to 20th- and 21st-century music, Professor of Music Theory Daphne Leong along with her colleagues in the world of rhythm in music performance and scholarship engages in intense research and endless experimentation which brought her to Montreal’s McGill University for a recent residency.

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Iannis Xenakis: Sonic Odysseys and Xenakis and Greece - Announcements

The National Museum of Contemporary Art Athens (EMST) is delighted to announce the opening of two exhibitions dedicated to exploring the work of Iannis Xenakis.

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Sarasota contemporary dance and music groups join forces for concert

Sarasota Contemporary Dance and ensembleNEWSRQ collaborate for a program of new choreography set to recent modern classical music.

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Beethovenfest′s Campus-Project: 20 years of global music making | Music | DW

Beethovenfest′s Campus-Project: 20 years of global music making | Music | DW
dw.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from dw.com Daily Mail and Mail on Sunday newspapers.

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Cristian Vogel: Rebirth of Wonky

Bandcamp / Buy Though few others than middle-aged alumni of the IDM listserv may realize it, from the mid 1990s to the mid 2000s, Cristian Vogel had one of the greatest runs in experimental techno. Club avant-gardists rarely maintain their lofty standards for more than a quarter century; Surgeon and Jeff Mills come to mind, but not many more. But Vogel makes a strong case for entry to that pantheon with his 25th album, Rebirth of Wonky.  “Wonky” was a fleeting musical trend around the turn of the last decade, one that Simon Reynolds described in Retromania as “strands of glitchy electronic, experimental hip hop and spacey seventies jazz fusion” whose “off-kilter beat structures and mutant funk grooves” were embellished with “day-glo synth tones and snazzy riffs that hark back to eighties electro-funk and video-game music.” Although Vogel certainly has created his share of “off-kilter beat structures,” he never really be

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