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Burden of Proof by Ian Dixon Potter at the White Bear Theatre
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Golden Age Theatre Company Presents: Testimony
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DNA – Golden Age Theatre Company | Review
April 24, 2021 Last updated:
April 24, 2021
It may as well be said right at the start: if you’ve had your share of strong opinions about That EU Referendum this isn’t a show for you. In parts, it is reasonably fascinating – a personal quest to discover why an ancestry DNA test provided the results that it did. It is, however, hardly the stuff of BBC Television’s
Who Do You Think You Are? series, and the narrative doesn’t go much beyond any relatives within living memory.
Imogen (Melanie Thompson) could be construed as conflicted. Having discovered that her heritage could allow her to apply for citizenship of an EU country, she decides she wants to remain (for want of a better word!) in the UK, despite calling it “
Love in the Time of Corona – Golden Age Theatre Company | Review
January 30, 2021 Last updated:
March 17, 2021
In a timespan of a few months, Jake (Ivan Comisso) has become a different person. Some have asserted that a year of following social distancing guidelines will have aged them by a decade, and while this may apply to Jake it doesn’t, on the surface level at least, appear to be an entirely bad thing. In the opening scene, he portrays himself as – though he would never say the word – a misogynist, who effectively only sees women as sexual objects to be conquered. He has no interest, he says, in being in a relationship, and doesn’t call his dates back, preferring instead for them to call him (and if they don’t, well, there’s plenty more fish in the sea and all that).
Golden Age Theatre Company: The Beast | Review
December 22, 2020 Last updated:
December 22, 2020
Now, this is an interesting take on what it is to climb the career ladder whilst making compromises along the way to achieve one’s ambitions. Caroline (Melanie Thompson) paints a picture of corporate life in an architecture practice as being pressurised, working for a business tycoon, referred to only as Grossman. The pay and working conditions are below the industry average, and while some people might look at the male to female ratio and conclude there are twice as many women as men working for the company, Caroline has her theories as to why this is the case – it feeds on Grossman’s love of the female form, so to speak, and also allows him to keep personnel costs lower, the assumption being that the women will have (male) partners in better-paid jobs who are supporting them.
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