[ laughter ] [ cheers ] i took a walk through this beautiful world felt the cool rain on my shoulder found something good in this beautiful world i felt the rain getting colder sha la la la la sha la la la la la sha la la la la sha la la la la la la chef: what if we just get dino s and go to edgefield, then go to robert s? chef 2: edgefield closes at midnight. chef: you gotta see have you been to robert s? chef 2: but dino s definitely anthony: i haven t been anywhere. chef 2: starter and that s it. anthony: i saw the hotel. the [ bleep ] do i know? [ laughter ] patrick martin: hold on, time out. stop, stop, stop. you ve never hung in nashville? anthony: no. martin: you re gonna have a fun time. anthony: i have no doubt. [ laughter ] anthony: nashville. if you haven t been there, you probably know it as what? a country music capital, grand ole opry, and it is music city. and there is indeed plenty of country music, bot
yeah, we ve all been in the restaurant business. you, you, you. he just got fired from a job over on the west sorry. [laughter] - way to go, vernon. [laughter] - first of all, let me ask, who here is from nashville originally? - exactly, she is. - this has been pretty much the story of my experience here so far. you know, the town has a reputation. there are so many really good musicians here. does that make it harder to break out here? and ultimately, what happens if you suck here? - [laughs] - like, i mean, if you can t, if you play country western. - i mean, it is - and you cannot you re not good at your instrument, can you make a living here and suck? - absolutely. - yeah, yeah, yeah. not to say, like, there s tons of bands that suck or something here, but when i came here, i-i wasn t good enough, and i went out to some, like, writers rounds, and i learned very quickly i had to be a better player. i had to be a better singer. i had to be a better writer. and, like, so, you know,
- no, no, no way. - no, i do, i ve got - who who bit you? - that s a cigarette. that s a bite mark. - what s that? - awesome. - that s a bruise. - what s that? - there s a timeline here, people. - the last i was gonna get. - let s work it out. [laughter] i feel so complete. and i-i was gonna wear that today, but i - oh, my goodness. - hey, guys. - hi. hey, a little - that guy was wearing a tutu. so i guess it could be worse this morning. i mean, i could be. [laughter] - wow, what s that? ooh. - bloody mary. - yeah. - apparently we took some casualties atlast night s house party. but for every throbbing skull, every unremembered blunt force trauma, there is a cure: a bloody mary, a mimosa, or both, should you prefer. pinewood social. our friend josh s place, where natural allies, alcohol, hangovers, and bowling coexist peacefully in an atmosphere of mutual respect. also food. - tony, how many times do you eat a day? [laughter] no, because when i watch that show, i think about it.
yeah, we ve all been in the restaurant business. you, you, you. he just got fired from a job over on the west side, sorry. jeremy: way to go, margo. anthony: um, first of all, let me ask, who here is from nashville originally? margo: exactly, she is. anthony: this has been pretty much the story of my experience here so far. you know, the town has a reputation, there are so many really good musicians here, does that make it harder to break out here? and alternately, what happens if you suck here? like, i mean, if you can t if you re playing country western margo: i mean, it is anthony: and you cannot you re not good at your instrument, can you make a living here and suck? man: absolutely. margo: yeah. yeah. not to say like there s tons of bands that suck or something here, but when i came here, i wasn t good enough, and i went out to some writers rounds, and i learned very quickly that i had to be a better player, i had to be a better singer, i had to be a bette
not to say like there s tons of bands that suck or something here, but when i came here, i wasn t good enough, and i went out to some writers rounds, and i learned very quickly that i had to be a better player, i had to be a better singer, i had to be a better writer, and like, so you know, you work hard because you re surrounded by that. cause it s like, you re typically playing to like a whole room of, you know, pickers and writers, and tell us like, how many nashville musicians does it take to change a lightbulb? one to do it and twenty to stand around and say, i can do that. i put a hurtin on the bottle baby now i m blind enough to see been drinkin whiskey like it s water that don t touch the pain you put on me anthony: there seems to be, i sense, like a lot of established bands have always come here for something metaphysical.