of 19605 new york city. it avant garde art and filmmaking of 1960s new york city.- of 1960s new york city. it goes so dee ., of 1960s new york city. it goes so deep- they of 1960s new york city. it goes so deep- they go of 1960s new york city. it goes so deep. they go so of 1960s new york city. it goes so deep. they go so deep i of 1960s new york city. it goes| so deep. they go so deep within the 19605 itself, and they were so ahead of their time thematically and sonically that no one knew what to do with them, even at a time of incredible invention and desire for radical change. and it still took decades for people to catch up to what they are doing. so you learn so much about not only the 19605, but why did that happen? that about not only the 1960s, but why did that happen?- why did that happen? at the centre of why did that happen? at the centre of it why did that happen? at the centre of it was why did that happen? at the centre of it was the - why did that happen? at t
work. , ., ~ way possible, which is in his work. , ., ,, ., ., way possible, which is in his work. , ., ,, ., ., ., work. reed s work and that of his band endures. work. reed s work and that of his band endures. speaking i work. reed s work and that of| his band endures. speaking to people who don t quite fit in and prefer to embrace life with its rough edges intact. emerging from a pandemic in which we all felt disconnected and offkilter. haynes believes the velvet underground also resonates for a new reason. for us, it resonates for a new reason. for us. it was resonates for a new reason. for us. it was the resonates for a new reason. it? us, it was the movie we had been making underground during lockdown in this pandemic. but it was a movie about an incredibly vital time in creative life, in the history of film, and in music. and that music field that room, and i think it did something to the audience beyond what the film itself is doing. because of the conditions that