house. welcome to this cultural life. your life has always run through your art but when did the art start? it took off at school because i missed so much school. i stopped going to school when i was about 13 and i had to go back when i was 15, i went back for three months and i had to do three days a week by law, otherwise my mum would have been in trouble with social services and things, ijust did whatever i wanted to do in art, and i think that s what it was, really, it had become me in a serious way and because the teachers took me seriously and trusted me, that was quite a fantastic thing at the age of 15 when no one else did, and i didn t have much else to hold onto at the time and if i had not have done art at school, i think god knows who would have happened to me. no idea. this was margate where you grew up. was there any access to museums, galleries, culture? no, see, i didn t even know art museums really existed. there was something like in my mind, when i was real
hello, i m john wilson. welcome to this cultural life, the radio four podcast in which i ask leading creative figures to reveal key moments and cultural works that fired their imagination and had a profound impact on their own art. my guest is tracey emin, an artist who has always put her own life at the centre of her work. in drawings, paintings, videos, sculptures and installations, she tells very personal stories. we met in a radio studio in the bbc broadcasting house. welcome to this cultural life. your life has always run through your art but when did the art start? it took off at school because i missed so much school. i stopped going to school when i was about 13 and i had to go back when i was 15, i went back for three months and i had to do three days a week by law, otherwise my mum would have been in trouble with social services and things, and ijust did whatever i wanted to do in art, and i think that s what it was, really, it had become me in a serious way and bec
rachel: good morning. that s a shot of downtown dallas on this father s day. will: 6:00 a.m. central time zone. pete: have you ever play that had music in the morning coming into the show? will: no, i need doll la doll l. ever heard that song? pete: yes. will: sing it? pete: i can t sing. rachel: happy father s day to both of you. pete: happy father s day to all the fathers out there and that s everyone, reach out to them today and tell them you love them. rachel: it s a special day. happy father s day, sean and my dad, who are both at my house right now. we re going to begin this hour with a fox news alert. secretary of state antony blinken in beijing on a rare trip to china as relation withs the u.s. continue to sour. pete: he ll spend the next two days meeting with top communist party officials and it s unclear if he ll sit down with xi jinping. will: alexandria hoff is live in washington dc with the latest. alexandria. reporter: good morning. senior state department off
candidates to run against the republican who is defied him, a sort of authoritarian revenge tour. here s the news tonight as we approach tomorrow s primary. fresh signs that tour may fail. trump s hand picked challenger to the governor, backing the big lie by claiming that the actual winner joe biden stole the race. first off, folks, let me be very clear tonight the election in 2020 was rigged and stolen. all that started right here in georgia when our governor caved and allowed radical democrats to steal our election. so, that s what trump s candidate perdue is selling, and trump s using his mega phone to brand the incumbent governor, kemp, as a turncoat or coward. but trump s not pulling out all the stops to campaign for him, instead offering a telerally for perdue tonight, and that bring us to the facts portion of this little interscene primary brawl. how is this actually playing in republican primary where we ve heard from politicos and d.c. elites so much about don
so, yeah. i never really talk about my thing with bowie much because it sounds a bit, i don t know, unreal, really, but yes, i was friends with him, good friend,s and he was.it was just brilliant. to me, itjust made sense that we were friends, just made sense. it s interesting, you say about the cover for heroes, or lodger, and linking to egon schiele, opening your eyes to new art. did he continue to do that when you knew him, was he a direct influence on your work? no, it was the other way around, wasn t it? with art, he really loved my art and i really loved his music, but this sounds silly, because i can t sing a word, i can t sing a note and he d say to me, i could get you to sing. we could do a song together. i ve got the perfect song that you could sing . and i said, i can t sing, and he said, yes, you could. and i always wish i d done it now. it would ve been brilliant. was he serious? did he have a song for you? yes, he said, i ve got this