daunting responsibility for the actor bringing him to the screen. . . , , actor bringing him to the screen. . y actor bringing him to the screen. ., , ., screen. that was my “ob, to look at the human h screen. that was my job, to look at the human the - screen. that was my job, to l look at the human the physics can you know, that s really not my forte, and i am never, even though i have played a couple of physicists, you know, it takes people their whole lives, lifetimes, to understand quantum mechanics, so myjob is to find the humanity of the man, really. to find the humanity of the man, really. this is the real robert oppenheimer, - man, really. this is the real robert oppenheimer, a - man, really. this is the real robert oppenheimer, a few man, really. this is the real- robert oppenheimer, a few years after the first atomic explosion had taken place. he had begun to doubt the wisdom of the bomb, fearing the power he had helped unleash. for director christopher nolan, creating th
year. we see ponga boatsn up and down. the coastline of orange county and sometimes on the docks and sometimes on the docks they re left with life jackets and fuel tanks and things like that . ibut it s happening because people like my opponent katiepo porterrt, we call our open bordr porter and joe biden and the local left in congress put out a welcome mat for all the illegal immigrants to m come into america. they basically saya.a. come on into america, we ll give a cash payments, we ll give you a free education, we ll give you a health care i and in fact, we ll even give you a free plane ride somewhereyou if you want. and the problem with this is we don t know who these people are. they don t t of have visible means of support. some are gang members ande some are human h traffickers and some are drug runners that are bringing the scourgel of sentinel and the plague the fentanyl brings to america the fentanyl brings to america deaths. and the problem isul the rule of law is the corne