jeremy deller, welcome to this cultural life. thank you. you were brought up in dulwich in south london. what are your earliest cultural memories of home? home. well, church, actually. there s culture in church. yeah. there s a human culture, there s people, and then there s music and there s visuals and smells and so on. so, the church, maybe early on as a child, is something i remember. i remember seeing help, the beatles film, very early on. i remember telling my mother i d just discovered these four men who live in the same house as each other, which was very much like the house we lived in. and i was amazed. then she told me, oh, actually, i know those people. that s the beatles and they re not around any more. that was your introduction to the beatles? yeah, and i was very sad. i remember being very sad about it, thinking that they didn t live together properly and it was actually. they weren t around. so help was a big influence on me, and television in general, i t
who s died at the age of 90. ms lynn enjoyed a successful, six decade long career. now on bbc news, it s hardtalk with zeinab badawi. welcome to hardtalk, with me, zeinab badawi. as the war in ukraine rages on, we speak to a russian rock legend whose life and career have mirrored his motherland s journey from the soviet era, through the break up of the soviet union, to putin s authoritarian state. my guest is boris grebenshchikov. he last played in russia the day before putin invaded ukraine in february, and is now living in london. bg, as he s known to his fans, risks prosecution for his anti war comments if he returns to russia. the role cultural icons have to play in the politics of protests is a well trodden one, but do their voices have any impact inside russia? boris grebenshchikov, welcome to hardtalk. thanks for having me. all right, so you last performed in russia just six hours before putin invaded ukraine. you say you had a sense of foreboding that something monume
ukraine in february, and is now living in london. bg, as he is known to his fans, risks prosecution for his anti war comments if he returns to russia. the role cultural icons have to play in the politics of protests is a well trodden one, but do their voices have any impact inside russia? boris grebenshchikov, welcome to hardtalk. thanks for having me. all right, so you last performed in russia just six hours before putin invaded ukraine. you say you had a sense of foreboding that something monumental was going to happen. what did you think was going to occur? you know, we played a concert on the night before the invasion, and i had this weird feeling that i m playing in hamburg in 1939. so i knew that something really bad is coming. i couldn t predict the war, but, you know, it felt bad. and now, when you see ukrainian cities, where you performed, either being destroyed, some of the very theatres where you actually played, and also places like kherson, one of the four provin
Lithic artefacts span millions of years in the archaeological record and provide evidence for how tools were made and used at various analytical scales – from determining local tasks to understanding subsistence economies, behavioural adaptations, origins of human culture, and evolution. The procurement and production of stone tools are central to many interpretations of past human behaviours in the landscape. There are many analytical techniques available for geochemical characterizations with differing precision and accuracy. Information about the movement of stone material, often in combination with technological lithic analyses that identify tool-manufacturing techniques and function, may be interpreted in studies of trade and exchange. Usewear analysis has been the main approach for identifying lithic artefact use and tool function, and commonly involves actualistic experiments and reference collections comprising many kinds of tools, worked materials, associated microscope imag