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Review: The Nevers is HBO s next great fantasy series | In the Bend

Kicking butt in corsets and slaying with parasols, Victorian sci-fi drama “The Nevers” arrives under, or at least alongside, a cloud: Creator Joss Whedon, who left the series in November citing exhaustion, has been the subject of multiple allegations since last summer of creating an abusive work environment on other projects, including by “Justice League’s” Ray Fisher and “Buffy the Vampire Slayer’s” Charisma Carpenter and Michelle Trachtenberg. But if this meant HBO faced an even taller order turning its ambitious new series, now helmed by showrunner Philippa Goslett, into a worthy successor to “True Blood,” “Game of Thrones” and “Watchmen,” it’s one the cable giant has surmounted. “The Nevers,” which premiered Sunday, ably continues the network’s tradition of making fantasy and sci-fi a prestigious television pursuit, this time in the splendor and grit of 1899 London.

Interview with The Nevers HBO Costume Designer Michele Clapton

Meet the Pansexual Playboy on HBO Max s The Nevers

TV THIS WEEK: Van Helsing, Manifest, Falcon & Winter Soldier, Black Lightning

TV THIS WEEK: Van Helsing, Manifest, Falcon & Winter Soldier, Black Lightning
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Can The Nevers Evolve Beyond a Whedonesque Bag of Tricks?

Screenshot: HBO Max The Nevers was to be Joss Whedon’s triumphant return to television, his first original series since 2010’s  Dollhouse. In the interim, of course, he made  The Avengers and co-created Marvel’s Agents of S.H.I.E.L.D. TV series, but HBO Max’s new drama about female Victorian superheroes seemed to be a return to form for Whedon after nearly a decade entrenched in the Marvel Cinematic Universe. But what’s ironic is that The Nevers, rather than being an original new act, feels like someone else playing around in Whedon’s IP: an Orphanage setting reminiscent of the Dollhouse, down to the same overseer in actress Olivia Williams; a grating antagonist spouting Drusilla’s rejected dialogue from

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