Huey Copeland and Allison Glenn on Promise, Witness, Remembrance artforum.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from artforum.com Daily Mail and Mail on Sunday newspapers.
Roberts (
Rat Time) returns with a thoroughly entertaining collection of autobiographical comics featuring her distinctive blend of deadpan humor and quirkily sincere flights of fancy. She observes life with husband Scott, pre-teen daughter Xia, and dog Crooky with equal parts appreciation and bemusement. “Xia and I played Barbies more intensely than ever before,” Roberts tells her mother, recalling Xia-as-Barbie improvising her way through a job interview, a scene followed by another in which the dolls awkwardly converse about art (imitating, one assumes, life). In another vignette, Roberts digs into her curious satisfaction at having spent weeks destroying her old sketchbooks and journals: “I’m being more productive whenever I’m not making anything.” Moments in which, for instance, a plate of Christmas cookies slips to the ground, to be picked up and placed in the trash one-by-one, are quiet examples of malaise creeping in. But Roberts remains exacting; when praised by
Colby Chamberlain on the art of Dave McKenzie
Bobblehead from Dave McKenzie’s
While Supplies Last, 2003, performance, poly-resin figures, 7 × 2 1⁄2 × 2 1⁄2 .
“I KNOW YOU ARE DAVE, but who is Dave?” Sixteen years ago, in these pages, the artist Glenn Ligon recounted how a stranger once posed this question to Dave McKenzie’s face. Or rather, she posed it to a papier-mâché approximation of his face, which McKenzie wore while he handed out bobblehead figurines of himself during an opening at SculptureCenter in New York. Ligon floated a few possible rejoinders: Dave was a dancing machine; Dave felt your pain; Dave wanted to be like Mike; Dave believed he could fly; Dave was a dime-store Jesus, for whom made-in-China tchotchkes were the bread and wine of a secular communion. These musings riffed on McKenzie’s various attempts to embody public figures, such as when he marched through Harlem sporting a rubber mask of Bill Clinto