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Photo archivist Kevin Johnson to present Kosti Ruohomaa: The Maine Assignments

ROCKPORT Kevin Johnson, photo archivist for the Penobscot Marine Museum in Searsport, Maine will present Kosti Ruohomaa: The Maine Assignments on Sunday, Aug. 27, at 2 p.m., at the Rockville Community Chapel, located behind the Green Thumb. The.

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How a Photographer Landed a Beatles Photo on His First Assignment

Daylight Books publishes HOME FIRES, Vol 1: The Past by Bruce Haley

Daylight Books publishes HOME FIRES, Vol 1: The Past by Bruce Haley HOME FIRES, Vol 1: The Past by Bruce Haley. Hardcover / ISBN-13: 9781942084884, 144 pages; 70 Color Photographs, 12 1/2 x 11 inches. $45 US. Published by Daylight Books. NEW YORK, NY .- Bruce Haley spent his formative years on a small ranch in the southwestern portion of California s San Joaquin Valley, in an area between Lemoore and Riverdale known as the Island District. Not the sort of young man who was easily contained indoors (setting a pattern that would last a lifetime), he ran the land, rode horses and dirt bikes across the fields, and grew up. Haley is a Robert Capa Gold Medal winner and celebrated internationally for his war and documentary work that took him to Somalia, Afghanistan, Burma, the former Soviet Union, and elsewhere.

Daylight Books publishes Home Fires: Vol 1: The Past Photographs by Bruce Haley

Daylight Books publishes Home Fires: Vol 1: The Past Photographs by Bruce Haley Home Fires, Volume I: The Past. Hardcover / ISBN-13: 9781942084884. 144 pages; 70 Color Photographs, 12 1/2 x 11 inches / $45 US. © Bruce Haley. NEW YORK, NY .- Bruce Haley spent his formative years on a small ranch in the southwestern portion of California s San Joaquin Valley, in an area between Lemoore and Riverdale known as the Island District. Not the sort of young man who was easily contained indoors (setting a pattern that would last a lifetime), he ran the land, rode horses and dirt bikes across the fields, and grew up. Haley is a Robert Capa Gold Medal winner and celebrated internationally for his war and documentary work that took him to Somalia, Afghanistan, Burma, and elsewhere. For this deeply personal project, he turns his camera homeward, to this agriculture-rich San Joaquin Valley. The resulting images, haunting and melancholy, play out against the larger framework of contentious w

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