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How Nomadland Cinematographer Survived a Scorpion Bite and The Crud to Shoot Oscar Favorite

We ve Got Hollywood Covered How ‘Nomadland’ Cinematographer Survived a Scorpion Bite and ‘The Crud’ to Shoot Oscar Favorite TheWrap awards magazine: Joshua James Richards talks about the pain and ecstasy of filming Chloé Zhao’s remarkable feature about a woman living a nomadic life in the American West By Joe McGovern | March 4, 2021 @ 1:40 PM Last Updated: March 4, 2021 @ 2:57 PM A version of this story about “Nomadland” appears in the Oscar Nominations Preview issue of TheWrap’s awards magazine. Cinematographer Joshua James Richards, an awards magnet for his gorgeous orangey work on “Nomandland,” has spent most of his career out in the real, rural world. His credits include three features with “Nomadland” director (and his partner in life), Chloé Zhao, all made in the American West or Midwest, where scorpions dance maniacally along the desert floor. (More on that below.)

Why Making Nomadland Left Chloe Zhao Emotionally Drained

Why Making Nomadland Left Chloe Zhao Emotionally Drained TheWrap 2/19/2021 © TheWrap Nomadland A version of this story about Chloé Zhao and Nomadland first appeared in the Actors/Directors/Screenwriters issue of TheWrap s awards magazine. Anybody who s tried to get in touch with Chloé Zhao over the last few years is probably familiar with the messages that come back from her reps. She s traveling. I m not really sure where she is right now. She s someplace where there s no reception. No reception? Yeah, Zhao said with a laugh. I sometimes feel there s so much being put on us our jobs, our relationships, bills and responsibilities that I have no idea who I am and what I want to say. As a filmmaker, that s a scary feeling. So when you pack up some stuff and go to a place where nobody knows who you are, and you have no reception, you hear yourself better, and it makes me less anxious about the choices I m making. I just feel like we all have that desire

Nomadland Film Review: Frances McDormand Hits the Road

‘Nomadland’ Film Review: Frances McDormand Hits the Road in Quiet, Lyrical Drama Chloé Zhao’s film is a gentle, uncommonly rich drama in which the main character hits the road not to get away from home, but to find itSteve Pond | February 18, 2021 @ 12:30 PM Last Updated: February 18, 2021 @ 12:34 PM AWARDS BEAT Searchlight Chloé Zhao’s “Nomadland” is a tiny indie film on a huge scale, an intimate drama set against the vast spaces of the American West. It’s also a typical production for the young Chinese-American director Zhao in that its cast is made up of non-actors playing themselves, or versions of themselves except that at the center of the film is a two-time Oscar-winning actress whose very presence, you’d think, would upset the delicate balance that Zhao struck in her films “Songs My Brothers Taught Me” and “The Rider.”

Nomadland Film Review: Frances McDormand Hits the Road in Quiet, Lyrical Drama

Nomadland Film Review: Frances McDormand Hits the Road in Quiet, Lyrical Drama TheWrap 2/18/2021 © TheWrap Frances McDormand in Nomadland Chloé Zhao s Nomadland is a tiny indie film on a huge scale, an intimate drama set against the vast spaces of the American West. It s also a typical production for the young Chinese-American director Zhao in that its cast is made up of non-actors playing themselves, or versions of themselves except that at the center of the film is a two-time Oscar-winning actress whose very presence, you d think, would upset the delicate balance that Zhao struck in her films Songs My Brothers Taught Me and The Rider.

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