that s the ship to shore radio here and there s two people. you have a time taker, who reads out the time, the seconds loud and the other person follows the score. i am very keen on experimental and weird music and so, when asked to compose a piece of music for five to ten freighters, i easily jumped at the chance. i had no idea what it was going to sound like. basically, we re given a graphic score where we can kind of basically, like, fill in dots, so to speak, that indicate when somebody is supposed to honk their horn. 41, 42, 43. quite often, you can hear a harmony which is actually not intended butjust happens to come out like this sometimes. it s absolutely beautiful. one, two, three, four. horn blares ..five, six, seven.
the seconds, loud, and the other person follows the score. i am very keen on experimental and weird music. and so, when asked to compose a piece of music for five to ten freighters, i easily jumped at the chance. i had no idea what it was going to sound like. basically, we re given a graphic score where we can kind of basically like, fill in dots, so to speak, that indicate when somebody is supposed to honk their horn. 41, 42, 43. quite often, you can hear a harmony which is actually not intended butjust happens to come out like this sometimes. it s absolutely beautiful. one, two, three, four. horn blares ..five, six, seven. horns honking continues
the countdown over channel 11. that s the ship to shore radio here. and there s two people. you have a time taker who reads out the time, the seconds, loud, and the other person follows the score. i am very keen on experimental and weird music. and so, when asked to compose a piece of music for five to ten freighters, i easily jumped at the chance. i had no idea what it was going to sound like. basically, we re given a graphic score where we can kind of basically like, fill in dots, so to speak, that indicate when somebody is supposed to honk their horn. 41, 42, 43. quite often, you can hear a harmony which is actually not intended butjust happens to come out like this sometimes. it s absolutely beautiful. one, two, three, four. horn blares.
the seconds, loud, and the other person follows the score. i am very keen on experimental and weird music. and so, when asked to compose a piece of music for five to ten freighters, i easily jumped at the chance. i had no idea what it was going to sound like. basically, we re given a graphic score where we can kind of basically like, fill in dots, so to speak, that indicate when somebody is supposed to honk their horn. 41, 42, 43. quite often, you can hear a harmony which is actually not intended butjust happens to come out like this sometimes. it s absolutely beautiful. one, two, three, four. horn blares ..five, six, seven. horns honking continues
and there s two people. you have a time taker who reads out the time, the seconds, loud, and the other person follows the score. i am very keen on experimental and weird music. and so, when asked to compose a piece of music for five to ten freighters, i easilyjumped at the chance. i had no idea what it was going to sound like. basically, we re given a graphic score where we can kind of basically like, fill in dots, so to speak, that indicate when somebody is supposed to honk their horn. 41, 42, 43. quite often, you can hear a harmony which is actually not intended butjust happens to come out like this sometimes. it s absolutely beautiful. one, two, three, four. horn blares ..five, six, seven.