Osmosis’s sculptures are cobbled of fractured analogies for how materially removed we have become from the object world’s formerly resistant, concrete reality, and how the artist as scavenger of such a phenomenological ruin can imagine their version of what might be called a funky genre stability. Despite his works seeming at first to be composed of whimsical and fleeting non sequiturs, Osmosis is a profoundly considerate artist who exerts an uncanny capacity to make his ostensibly ersatz sculptures stick in one’s poetic recesses as substantially specific objects.
Balenciaga creative director Demna opens up about his transformative couture collections, which instil a mood of modernity into the most traditional of mediums
By Trevor Paglen. In conversation with Tom McCarthy. Streaming February 12–18. Part of Uncomputables, curated by Agnieszka Kurant for the Artist Cinemas series.
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