class voters who put him in office mainly because of brexit. he now has to deliver on economic and social issues. dana: perfect guest to have an especially as this is unfolding right now, these protests getting very rowdy over there, thank you very much. we will be back in touch with you know doubt, thank you. the producer of the hit movie the hangover is now taking on a very important issue, he will explain it next. plus, robocalls have a new way to get to you. fox news radio s brett larson is here to explain. tamins and minerals. ensure, for strength and energy.
they re yours. actually, they were nana s. my mother, ladies and gentlemen. why did you want to take a risk with this show that wasn t yet established? i thought the ensemble worked that was two different talents, was very good. i did have a good eye, and so i said yes. you just start with half a dozen european cities. throw in 30 euphemisms for male genitalia and bam! you have yourself a book. when the show ultimately debuted in 1994. you got a job? are you kidding? i m trained for nothing! how was the structure of it different than that original pitch? the main difference was the decision to not have a main character. it s like that, with feelings. courtney cox who also was the most notable name at the time. she had been in a hit movie that year s a ventura pet detective . if you embarrass me.
why did you want to take a risk with this show that wasn t yet established. i thought the ensemble work, two different talents was very good. i did have a good eye and so i said yes, you just start with half a dozen european cities and ball y bam, you have a book. you got a job. are you kidding? i m trained for nothing. courtney cox who was the most notable name at the time had been in a hit movie that year. a pet detective. if you do anything to embarrass me in front of camp. like this? she was kind of the most bankable name and nbc wanted
let s flashback because in the beginning, in the 60s, all of a sudden there s a big competitor for the limelight. mm-hmm. tv. mm-hmm. how did the arrival of television in more and more homes, of course, change the way movies were being made in the 60s? well, movie studios realized they needed to make the kind of films that television couldn t produce. so the big historical epics which had been a mainstay in hollywood for a long time, they became even bigger. so huge sets, lavish productions, lots of extras, the kind of spectacle you had to see on the big screen. that plus fun musicals, lots of technicolor, it was anythig you couldn t stay at home and watch to try to get audiences back into the theaters. one of the movies in the 60s had such a huge impact, it nearly destroyed the studio that produced, put the whole hollywood industry at risk. tell us about cleopatra. cleopatra had all the makingsings of a hit movie.
in ways i really had never quite experienced before. the force will be with you always. it was also really moving, and it ended with a tremendous sense of victory against incredible odds. stand by. we left the theater kind of clearing tears away from our eyes from that triumphant emotional finale. remember the force will be with you always. and it was another huge two-hour line here. and we just looked at each other and said do you want to see it again? and she said, yeah. i remember when george went to the telephone and got the news that all the 10:00 a.m. shows across america had sold out. and that s when it went from a hit movie to a cultural phenomenon. it essentially is a fun movie to watch.