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Review: Human Factors

(The article continues below - Commercial information) This new drama, penned by the director himself, revolves around a wealthy, cosmopolitan family from an unnamed German city – probably Berlin – headed by parents Nina ( Sabine Timoteo) and Jan ( Jule Hermann) and her younger brother Max ( Wanja Valentin Kube), the owner of a small pet rat called Zorro. In the first few scenes, we see the family getting ready to spend a weekend in their holiday home, when their getaway is suddenly interrupted by a burglary, after which Zorro mysteriously disappears. From the very beginning, both the actors’ performances and the gloomy visual atmosphere instil in the viewer the feeling that something very wrong is going to happen imminently and that the protagonists have a wealth of secrets to hide. Except for the sudden burglary – which we don’t see happening on screen, but which we do hear through Nina’s screams and someone’s footsteps – the first third of the film plods along

A Hybrid Lineup for Sundance 2021

Death in Venice (1971) In last year’s Midsommar, Ari Aster’s folk horror hit, Dan, an elderly gaunt man with long white hair and a beard, leaps from a cliff. Unfortunately, he survives the fall and has to have his face bashed in with a mallet. Dan is played by Björn Andrésen, first seen on-screen in 1970 in a small role in Roy Andersson’s A Swedish Love Story but truly discovered the following year when Luchino Visconti cast him as Tadzio, the object of Dirk Bogarde’s obsession in Death in Venice. Andrésen is the subject of a new documentary, Kristina Lindström and Kristian Petri’s

Tverdovskiy gewinnt zum dritten Mal beim Filmfestival Cottbus - Filme noch bis 31 12 im Stream

Tverdovskiy gewinnt zum dritten Mal beim Filmfestival Cottbus - Filme noch bis 31 12 im Stream
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