HomeFront: Billie Holiday, Beethoven, and Bad Bunny, plus art to comfort and calm
By Marie Morris Globe Correspondent,Updated February 25, 2021, 6:35 p.m.
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Andra Day stars in The United States vs. Billie Holiday. Takashi Seida/Hulu
Welcome back to HomeFront, where the moon is almost full, the snow is melting a little, and next week is March, can you believe it? Now that Iâve all but guaranteed a freak blizzard, here are some suggestions for cocooning entertainment.
FILM: The âelectrifyingâ Andra Day deserves better than
âThe United States vs. Billie Holiday,â an âearnestly scatteredâ effort that earns 2½ stars from Globe film critic Ty Burr. Day delivers âa marvel of dramatic and vocal technique as well as a full-on possession,â he writes. â[Y]ou canât take your eyes off Holiday, who in Dayâs performance is a diva and a lost soul, the nationâs conscience and her own worst enemy.â
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jta.org - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from jta.org Daily Mail and Mail on Sunday newspapers.
Sacha Baron Cohen says his days of disguise pranks are over - Jewish Telegraphic Agency
jta.org - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from jta.org Daily Mail and Mail on Sunday newspapers.
MFA Boston receives gift of 48 Henryk Ross photographs depicting life inside a World War II Jewish Ghetto
Henryk Ross (Polish, 19101991), Untitled from Litzmann (Lodz) Ghetto, 19401945. Photograph, gelatin silver print. Gift of Howard Greenberg in honor of Jacques Preis. Courtesy, Museum of Fine Arts, Boston.
BOSTON, MASS
.-The Museum of Fine Arts, Boston, has received a gift of 48 photographs by Henryk Ross (19101991), which offer an extraordinarily rare glimpse of life inside Polands Lodz Ghetto during the Holocaust. Donated to the MFA by collector Howard Greenberg, the group of gelatin silver prints was originally given directly by Ross to Lova Szmuszkowicz, later Leon Sutton (19092007), a fellow survivor of the Lodz Ghetto who brought them to the U.S. when he immigrated to New York City in 1947. The prints represent a significant range of both official images, which Ross took as a photographer for the ghettos Department of Statistics, and the unofficial photograph