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Sarah Rice… “Visual images can put power into poetry and music – they can make a poem feel real.” Photo: Helen Musa
POET, artist, philosopher and academic, Sarah Rice is one of the true chameleons of the Canberra arts scene – and she sings, too.
A former soprano with Canberra’s long-running Oriana Chorale, she’s returning to the choir armed with an ArtsACT grant for an ambitious project that puts all her talents to work.
The multi-arts project inspired by Rice’s poetry about to take the stage at Llewellyn Hall under the title “Text/ure,” was made that all at easier by the fact that Oriana’s newish conductor, Dan Walker, was keen to attract new audiences and new choristers, so was on board from the start.
What did we learn from feeding bettongs to foxes?
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The refurbished Rusten House. Photo: Helen Musa.
QUEANBEYAN’S former hospital has been reborn as a restored art centre, with the official opening of the new Rusten House Art Centre this afternoon (April 22).
Members of the arts community, historical society, healthcare services and families of key figures throughout the history of Rusten House joined project staff to witness the unveiling of a plaque to mark the official opening of the new art centre that has transformed the previously run-down building.
Queanbeyan-Palerang Regional Council Mayor, Tim Overall, said that Rusten House was an important part of Queanbeyan’s history after beginning life as a hospital in 1862 and that many prominent families whose names are scattered across Queanbeyan’s history had funded and contributed to the establishment and operation of Rusten House including the Gale, Campbell, Rutledge, Collett and Wright families.
A still from the winning work, âOpen Airâ by Grayson Cook and Emma Walker.
ONE of the great pleasures of life in the national capital is that every year we can view the finalists in the biennial Waterhouse Natural Science Art Prize.Â
Canberra is the only Australian city outside Adelaide who can say this. There are still a couple of weeks to pay a visit to the National Archives, where the rare show, commemorating the birth of the South Australian Museum’s first curator, Frederick George Waterhouse, has been coming for many years, delighting members of the general public and gradually converting art lovers initially suspicious of its mission to view scientific investigation through art.
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