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Venice To London May 2022 Diary Revd Jonathan Evens

Transcending Epochs: When Matter Becomes Form

Morag Myerscough s radiant new Sun Pavilion gives Londoners a place to renew, recharge and uplift

London born and bred artist Morag Myerscough celebrates the city springing back to life with her new installation Sun Pavilion, in Montgomery Square u

Review of the Year 2020: Arts

by 18 December 2020 Tristram kenton © DWA LLC A look back to the West End before social distancing: this was the spectacular Moses musical The Prince of Egypt which opened at the Dominion Theatre on the eve of the pandemic A look back to the West End before social distancing: this was the spectacular Moses musical The Prince of Egypt which opened at the Dominion Theatre . IN A year that was disastrous for many people, the pandemic was a sudden blow to those who made their living as musicians and other performing artists, as well as the support staff for live events, particularly freelancers. Concerts were generally cancelled, though a few went online; opera houses and theatres were darkened; even church and cathedral choirs were silenced for much of the year. Regular events were either cancelled (Edinburgh Fringe) or reimagined (the Proms and the Three Choirs).

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