how well we are doing. we know that performers in the past in opera, that the males would have to blacken their face to play 0thello. how does that make you feel? the stories we are telling does not discriminate, does not choose who or how you look like, where you come from, and it doesn t matter who is telling the story. it is the story of the character we are telling that should be important. # she wasn t wearing slacks.#. cecilia would like to be seen as a role model for black artists wanting to make it in opera. so, i think slowly but surely, we are going to have more people of colour singing
does not choose who or how you look like, where you come from, and it doesn t matter who is telling the story. it is the story of the character we are telling that should be important. # she wasn t wearing slacks.#. cecilia would like to be seen as a role model for black artists wanting to make it in opera. so, i think slowly but surely, we are going to have more people of colour singing in these big houses, so i think it is going there, and i think there is a future for young women like me, black women, in opera. would you like to see centres of opera elsewhere in the world, in africa, for instance?
character we are telling that should be important. # she wasn t wearing slacks.#. cecilia would like to be seen as a role model for black artists wanting to make it in opera. so, i think slowly, but surely, we are going to have more people of colour singing in these big houses, so i think it is going there, and i think there is a future for young women like me, black women, in opera. would you like to see centres of opera elsewhere in the world, in africa, for instance? yes, i know in south africa now it is getting, people now know about it, than when i started.
from, and it doesn t matter who is telling the story. it is the story of the character we are telling that should be important. # she wasn t wearing slacks.#. cecilia would like to be seen as a role model for black artists wanting to make it in opera. so, i think slowly but surely, we are going to have more people of colour singing in these big houses, so i think it is going there, and i think there is a future for young women like me, black women, in opera. would you like to see centres of opera elsewhere in the world, in africa, for instance?
that the males would have to blacken their face to play othello. how does that make you feel? the stories we are telling does not discriminate, does not choose who or how you look like, where you come from, and it doesn t matter who is telling the story. it is the story of the character we are telling that should be important. # she wasn t wearing slacks.#. cecilia would like to be seen as a role model for black artists wanting to make it in opera. so, i think slowly but surely, we are going to have more people of colour singing in these big houses,