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Arlo Parks, Sault, Wolf Alice, More Shortlisted for 2021 Mercury Prize
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July 21, 2021, 12:04 am
DJ Annie Mac has been unveiled as one of the judges for the Mercury Prize ahead of the shortlist’s unveiling this week (Ian West/PA)
DJ Annie Mac and musician Jamie Cullum have been unveiled among the judges for the Mercury Prize ahead of the shortlist’s unveiling this week.
The 12 records in the running for the prestigious award, which recognises the best British album of the year, will be revealed at a launch hosted by BBC Music’s Huw Stephens on Thursday, organisers said.
The announcement will also be live at 11am on Mary Anne Hobbs’s BBC Radio 6 Music show.
Mercury Prize 2021 shortlist to be announced tomorrow - Audio Media International
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Reviews / / 10 · 12 · 2020
Lanterns On The Lake are really spoiling us with new music this week. With their Mercury Award- nominated last album Spook The Herd only emerging at the start of the year, the Newcastle group provide fans with an early Christmas present in the form of a five- song EP.
A short, but blissful EP, The Realist demonstrates that they know how to craft a beautiful violin lead ballad; at times, though, it struggles to stand on its own, with the songs drifting into one another.
All tracks on the EP follow a similar formula. Start slow and solemn, then enter frontwoman Hazel Wilde for her ever-loudening, warm and syrupy sweet vocals, detailing her inner turmoil. Her gorgeous Geordie tone sounds particularly astounding at the end of the title track The Realist while she sings âevery moth needs a flameâ.
It’s been a helluva year for Lanterns on the Lake. In February, Hazel Wilde and company released
Spook the Herd, a beautiful album with blistering insights for a polarized world. The acclaimed LP was shortlisted for the Mercury Music Prize and elevated the global platform for the English rock band.
The Realist is a short set to close the book on 2020. Anchored by a title track, a remnant from
Spook’s recording sessions, the band’s new EP reminds us at year’s end of their cinematic brilliance. “You know I dream in morse code,” sings Wilde on “The Realist,” as piano and strings carry her affecting vocal work through swells and builds.
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