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Photography in the Raw

Photography in the Raw The humbling exhibition “Photo Brut” brings together generations of self-taught artists who appropriate photographs or create their own. The Japanese artist Ichiwo Sugino achieves his impersonations in “Photo Brut” mostly with adhesive tape and posts them on his Instagram account. Subjects include cultural figures from Thomas Edison to Alfred Hitchcock to Martin Scorsese and Andy Warhol.Credit.Ichiwo Sugino Feb. 4, 2021 It’s great that the American Folk Art Museum doesn’t charge admission these days. More than one visit may be needed to absorb its landmark exhibition “Photo Brut: Collection Bruno Decharme & Compagnie.” This jaw-dropping, sometimes heart-rending show a larger version of which was seen at a photography festival in Arles, France, last summer is a cornucopia of established and unfamiliar names, from the celebrated Henry Darger to the all-but-unknown Ichiwo Sugino; improvised mediums and often painful stories of isolated l

At home with artist Charles Gaines

At home with American artist Charles Gaines At home with American artist Charles Gaines In our ongoing profile series, we go home, from home, with artists to hear about what they’re making, what’s making them tick, and the moments that made them. Here, we speak to pioneering American artist Charles Gaines about how grids, formulas and systems can drive conceptualism Charles Gaines in his Los Angeles studio, 2020  © Charles Gaines Courtesy the artist and Hauser & Wirth. Photography: Fredrik Nilsen Over the last 50 years, American conceptual artist Charles Gaines has generated a practice dense with concept, yet devoid of self-expression. Through the power of the grid, mathematics, and rules-based processes, he interrogates tensions between indeterminacy and rationality; subjectivity and objectivity; race and representation.

Top 10 Shows in the EU of 2020

Top 10 Shows in the EU of 2020 From the premiere of Aby Warburg’s Mnemosyne Atlas in Berlin to Corita Kent’s political prints in Innsbruck If there’s anything positive to say about 2020, then it’s that we were given the chance to rethink the status quo. We were asked to re-evaluate our priorities, to listen to those in need and to expand our knowledge in areas where we previously had blind spots. In many ways, 2020 has been a series of lessons in unlearning ignorance – something that art can contribute to as well, I believe. Here are a few highlights from some of the remarkable exhibitions that were on view in this unprecedented year:

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