yeah, i don t think so. my daughter is in the city, and you like wandered in here high on ecstasy? honestly, if you just stay there. i was in the israeli army. i can break you in half. nancy meyers invented a kind of filmmaking that is glossy, that s fun, that s romantic, and that acknowledges the lives of the women who are watching the movies. why is it that you broads want all or nothing? i don t know. we re just goofy when it comes to love. her movies are really fantasy movies. they re just the fantasies of different people. someone s having a party tonight. oh, yeah. usually women, usually of a certain age, and their fantasies are ones we don t often get to see on the big screen. no, you re not. oh, yes, i am. i am having an affair with agnes adler s husband.
were paying me in advance. you re not wearing your ring. i sold it. i don t have a husband, or didn t you get the papers? my last day inside. i told you i d write. george clooney is the one that convinced his friends to be his fellow cast members, and it was just fun. there s something very special about seeing this kind of star power, this charisma on-screen. what, did you guys get a group rate or something? stars become, for a while, the most dependable element in movies, which is why their salaries go up, and it also changes the whole context of movies because the power balance in movies changes. i m fine. i m cool. i m good. it changes from an industry that at first was studio driven and then was director driven, to an industry that is star driven.
the cohn brothers are incredibly evocative because they re purposefully, i think, trying to bust up a norm. their true grit is an absolutely perfect motion picture. trying those cheap shells on me again. i thought you were going to say the sun was in your eyes. that is to say, your eye. you ve got filmmakers who begin in the late 80s or 90s who are just determined to always make the movies they want to make. as much as studios gain control and as much as money becomes the coin of the realm, the spirit of the 1970s, the idea that the filmmaker could still be the one in charge will continue to sustain itself through the work that they do. royal tennenbaum bought the house on archer avenue in the winter of his 35th year. a wes anderson movie is meticulously composed, beautifully designed and curated
better than the last one. i don t think there is any question we will look back on this at the age of franchises. comedies, you get three hanger movies. four men in black movies. does that come standard? it came with a black dude, but he kept getting pulled over. there is always more content to be made. ready? ready. steady. go! love entwined. exclusively at kay. what happens to your body language when you use dove dry spray? [laughing] it shows. try dove dry spray. our weightless formula with 1/4 moisturizers is effective and kind to skin. leaving you feeling instantly dry and confident.
alejandro. tonight s big winners included director alejandro inyari for the revenant. he won last year for birdman. it is the first time a doctor has won back to back oscar ins 60 years. these are the guys that everybody is talking about. these are the movies that are exciting people. that are really moving story telling forward. they have won best director five out of six years running. they are making a major impact on the american film series. i m an immigrant many, many of you. and i think that the greatest thing that our industry does is to erase the line ins the sand. we should continue doing that. and the world chooses to make them deeper.