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Curated by David Breslin and Adrienne EdwardsSPLENDOR. That’s the word that comes to mind as one walks sails through the 2022 Whitney Biennial. Splendor as a transformative experience, affecting soul and spirit. Curated with visual alacrity, emotional commitment, and historical heft by Adrienne Edwards and David Breslin, this exhibition, which is so much about loss, discovery, and opening our eyes to the possibility of art in space, also destabilizes the museum-as-institution’s relationship to what makes an exhibition. No more walls, the curators seem to be saying throughout the show specifically
Theresa Hak Kyung Cha’s multimedia work has been institutionally remembered following her 1982 death and is currently featured in this year’s Whitney Biennial.
Shields used to idolize Marcel Proust’s “In Search of Lost Time.” But these days it “feels to me sort of twee. . I need more comedy, more urgency, more white space.”
She was murdered after the publication of her first novel, “Dictee,” a challenging exploration of Korean history and immigrant life that inspires Asian American writers today.