president moran: we are back in open session. the commission took no action. could i have a motion regarding whether to disclose? motion not to disclose. all those in favor? opposed? the motion carries. any other new business? this meeting stands adjourned, thank you. a lot a ton with the community and we say to ourselves, there is this one and this one. we all compartmentalize them, we have our own agenda. our agenda is to create great work. if you are interested in that, you are part of our community. hello and welcome to brava theater. we are trying to figure out a way to make a space where theater and presentation of live work is something that you think of the same way that you think of going to the movies. of course, it has been complex in terms of economics, as it is for everyone now. artistically, we have done over 35 projects in four seasons, from producing dance, theater, presenting music, having a full- scale education program, and having mo
hello, i m ivette torres, and welcome to another edition of the road to recovery . today we ll be talking about treatment and recovery in behavioral health for individuals with a disability. joining us in our panel today are dr. h. westley clark, director, center of substance abuse treatment, substance abuse and mental health services administration, u.s. department of health and human services, rockville, maryland. john de miranda, executive director, national association on alcohol, drugs and disability inc. and president and chief executive officer, stepping stone of san diego, san diego, california. dr. barbara l. kornblau, j.d., disabilities attorney and professor, school of health professions and studies, university of michigan-flint, flint, michigan. ed hammett, consumer advocate, marbury, maryland. dr. clark, how many people in the united states have a disability? that number is not exactly clear, but we estimate roughly 53 million people have a disability, and it may
dr. barbara l. kornblau, j.d., disabilities attorney and professor, school of health professions and studies, university of michigan-flint, flint, michigan. ed hammett, consumer advocate, marbury, maryland. dr. clark, how many people in the united states have a disability? that number is not exactly clear, but we estimate roughly 53 million people have a disability, and it may be larger because, again, it turns on new classification schema. but at least 53 million. john, how do we define a disability? well, a disability is really kind of a legal and an administrative term. and in some quarters you might be considered disabled, but by another jurisdiction you might not be considered disabled. but i use the term, often, physical sensory, cognitive, and developmental disability to really clarify what we re talking about. so, barbara, in terms of a real sense, so there are individuals who may have had accidents are now paraplegic, quadriplegic- in terms of those with a substance
sanrio famous for the designs for hello kitty. i thought i would try to make it as cute as possible. that way people might want to read the stories. then people might be open to learn about the deities and the culture. they reached out to make about five or six years ago because of the book published. they appreciated that my work was clearly driven from my research and investigation. after i contributed my artwork, the museum was really beside themselves. they really took to it. the museum reached out to me to see if i would be interested in my own space inside the museum. i tell them that would be a dream come true. it is the classical, beautiful indian mythology through the lens of modern design and illustration and storytelling. they re all of these great sketch as i did for the maharajah exhibition. i get a lot of feedback on my artwork and books. they complement. they say how original the work is. i am the first person to say that this is so derived from all of this
of this great artwork and storytelling of the past. the research i put into all of my books and work is a product of how we do things that a at pixar. sometimes you will see him depicted monkey-like or as superman. i wanted to honor his monkey coloring. i decided to paint him white with a darker face. it is nice to breathe new life into it in a way that is reverent and honors the past but also lets them breathe and have fun. it is almost a european notion to bring these symbols and icons from southeast asia. they decorate their deities. it was a god they interacted with every day in a human way. the most important thing has been to create work that is appealing to me. i want to see vishnu to pick did in a modern way. it dawned on me by reinterpreting the deities in a way that is modern and reverent to the history, i am building a bridge for young and old audiences to make friends with the culture and these icons to learn their stories. i came out to san francisco about s