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In recent years, several movements in Brazil and around the world have contributed significantly to society by emphasizing the need to occupy public spaces in the cities to claim quality and freedom of use for the community. The Ocupe Estelita movement in Recife, Brazil, for example, confronted the growing real estate speculation in the region and challenged the aggressive commercial urban planning on the banks of the Capibaribe River. Based on cases like this one, professor, critic, and curator Guilherme Wisnik, in an interview with Fora, addressed the issue of public space as a place of conflict.
Wisnik, who considers conflict as a virtue by demonstrating diversity and plurality in an attempt to coexist in the city, points out the dispute over public spaces as a symptom of the importance of this debate in the sphere of urban planning. In his opinion, one should regard this type of space as a theater for the mediation of differences.
After a lot of reflection, random searches in the dictionary, and taking notes, the word
vão (lit. gap, span, vain) appeared. We didn t immediately embrace it, but as the days went by, its many interpretations started to excite us. In architecture, a span is a structural achievement in distance between supports, or still, a construction hiatus within a building.
Vão is the in-between; a place of possibilities, found in São Paulo s most important spaces: MASP, MUBE, FAU-USP, CCSP, and even SESC Pompeia.
Furthermore, vão is an inflection of the verb go (they go), which stands for our desire to build a collective path. The word can also relate to the expression