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Double Bassist magazine: 'Bottesini had no equal on the contrabasso'

Double Bassist magazine: 'Bottesini had no equal on the contrabasso'
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Germany
Wiesbaden
Hessen
Lammermoor
Queensland
Australia
Milan
Lombardia
Italy
United-states
Havana
Ciudad-de-la-habana

Book review: Nineteenth Century Musical Autographs: the Niçois Album of the Count of Cessole

  The musical riches contained in this unique collection go way beyond the normal parameters of popular memorabilia. This is due entirely to the astute thinking of the noted 19th-century collector of Cremonese violins, Eugène de Cessole (1805–76), whose autograph album is the focus of this handsomely produced tome. His distinguished guest list reads like a veritable Who’s Who of Romantic music – violinists especially – who were not only asked to sign their moniker in the normal way, but also invited to add a handwritten musical souvenir. These range from tantalising musical fragments lasting just a few bars – in the case of celebrated tenor Jean-Alexandre de Talazac, simply his trademark high C, annotated to be sung ‘with a real chest voice’ – to complete pieces.

France
Talazac
Midi-pyrees
French
Jean-becker
Louis-spohr
Henry-vieuxtemps
Heinrich-ernst
Giovanni-bottesini
Alexandre-batta
Guido-papini
Charles-philippe-lafont

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