you know, for a few years, the rolling stones had taken a lot of casualties. even brian felt it, he wasn t gonna be around that long. not everybody makes it, you know. they were fighting for like, where do we secure our foothold now? in 1971, the rolling stones leave their home, for tax purposes, to go live in france and record this record exile on main street in a very hot, uncomfortable, muddy sounding studio. that record is the embodiment of a band making masterpieces on a daily basis. and i remember reading a review saying that this was like a debauched album. it s like, i don t even know
60s she is trying to write hit songs for other people. and then in the 70s with tapestry, it s the definition of an album of self-expression, let me go into my house in laurel canyon and tell you about my life. after church, you always went out for pancakes. if you were lucky enough to ride in one of the girls cars, you know what you re listening to? tapistry. there were a lot of very important women who were some of the most significant writers and contributors to music at the time. we re gonna do a song that s written by my friend, john david souther, who is my favorite california songwriter and one of my favorite singers. it s called faithless love. she was, in many ways, my
the original fleetwood mac was a four-piece, full-on blues band. they were an english band that became a dual-citizenship band. they were as american as they were british. we had an album out about two years previous to joining fleetwood mac called buckingham nicks, and mick really liked the music and they asked us to join. fleetwood mac, first stevie and lindsey album, for sure changed our lives. we had arrived. it s great being rich and famous in california. this is it, kid.
folks. the new album with atlantic. and it s gonna be called ringo s i sell records, and it doesn t matter if i ve been in the beatles or not, if they don t like the record out there, they won t buy it, you know. ringo, who, to this day, people dismiss way too much, has tremendous success in the 70s. and george harrison, who had been stockpiling these amazing songs, explodes like a supernova on an album called all things must pass, may be the greatest beatles solo album of all. over the years, you know, i had such a lot of songs mounting up that i really wanted to do but i only got my quota of one or two tunes per album. were you held down by the other fellas? well, very subtly, yes. i d just like to thank y all for coming here. as you all know, it s a special benefit concert. ravi shankar went to george harrison and said, this terrible
tremble whenever you re around carole king is the embodiment of what happens. because in the 60s she is trying to write hit songs for other people. then in the 70s with tapestry it s the definition of an album of self-expression. let me go into my house in laurel canyon and tell you about my life. after church you always went out for pancakes. if you were lucky enough to ride in one of the girl s cars, you know what you are listening to? tapestry. there were a lot of very important women who were some of the most significant writers and contributors to music at the time. we are going to do a song written by my friend, john david sausser, who is my favorite california songwriter and one of my favorite singers. it s called faithless love.