On Endangered Species Day, May 21st, a group of award-winning actors, the Los Angeles Zoo, the University of Montana, and Mongabay will release a new podcast, “Endangered: Short Tales for The Nearly Forgotten.” Endangered (endangeredtales.com), a podcast anthology that celebrates species that are on the verge of extinction, was created, written, directed and produced by […]
Collabware Branches Collabspace into Task-Targeted Solutions for Archiving, eDiscovery & Records Management
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Collabspace Product Suite
Collabspace offers an easy and simplified way to step into the cloud if you haven’t already, pay for what you need and ensure your data is protected. VANCOUVER, B.C. (PRWEB) April 15, 2021 Collabware, a leading provider of information governance automation software, today announced the global release of three distinct products under the Collabspace brand. This content management cloud service has segmented into tiers to provide focused and advanced features for secure archiving, accurate search, and compliant records management; named: Collabspace ARCHIVE
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HowlRound and LA Writers Center Present A Live Online Reading Of Marquis Ewing s VILLAINS
LAWC is partnering with HowlRound to present Breathe, an online play reading series designed to advance these stories.by BWW News Desk
LA Writers Center presents a free online reading of Villains by Marquis Ewing as a part of their Breathe online play reading series, which will live stream on the global, commons-based, peer-produced HowlRound TV network at Howlround.tv beginning Saturday 27 February 2021 at 11 a.m. PDT (San Francisco, UTC-7) / 1 p.m. CDT (Chicago, UTC-5) / 2 p.m. EDT (New York, UTC-4).
LAWC is partnering with HowlRound to present Breathe, an online play reading series designed to advance these stories. They are presenting one reading a month through the end of the year.
Last modified on Thu 18 Feb 2021 08.02 EST
As the lead turn in this burb-midlife crisis dramedy, Wendi McLendon-Covey repeatedly does a facial expression which can best be called stunned-discontentment-and-incredulity. It is, if nothing else, appropriate for the very eventful script from writer-director Debra Eisenstadt, that packs in loads of ideas and situations, and brings us to a series of contrived seriocomic crises, after which the dramatic temperature is reset to normal in the succeeding scene. At one stage McLendon-Coveyâs character gets hit by a car, and simply limps away with the same satirically grumpy face and a bruise to show for it. Itâs not totally clear if the surreal effect is intentional.