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Passion For Profit – Folio 2 0 / EU Jacksonville

Passion For Profit – Folio 2 0 / EU Jacksonville
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Armed with decades-old cameras & expired film, local photographer explores city

Keith Levit arrived at the corner of Princess Street and Alexander Avenue holding a piece of history in his hands: a Graflex Crown Graphic four-by-five camera. Covered with the patina that comes with over 70 years of existence, its body oxidized a soft burgundy, it looks like it belongs on a shelf, not on a street corner in the bitter Winnipeg cold. Keith Levit arrived at the corner of Princess Street and Alexander Avenue holding a piece of history in his hands: a Graflex Crown Graphic four-by-five camera. Covered with the patina that comes with over 70 years of existence, its body oxidized a soft burgundy, it looks like it belongs on a shelf, not on a street corner in the bitter Winnipeg cold.

Armed with decades-old cameras, local photographer explores city

Keith Levit arrived at the corner of Princess Street and Alexander Avenue holding a piece of history in his hands: a Graflex Crown Graphic four-by-five camera. Covered with the patina that comes with over 70 years of existence, its body oxidized a soft burgundy, it looks like it belongs on a shelf, not on a street corner in the bitter Winnipeg cold. Keith Levit arrived at the corner of Princess Street and Alexander Avenue holding a piece of history in his hands: a Graflex Crown Graphic four-by-five camera. Covered with the patina that comes with over 70 years of existence, its body oxidized a soft burgundy, it looks like it belongs on a shelf, not on a street corner in the bitter Winnipeg cold.

5 Frames with a Yashica FX-3 & Kodak Ektachrome 100 - By Floyd K Takeuchi

5 Frames with a Yashica FX-3 & Kodak Ektachrome 100 – By Floyd K. TakeuchiJanuary 13, 2021 There’s always been a bit of snobbery in the world of film photography. Unlike digital cameras, where the latest megapixel monster hanging over your shoulder is like a flashing neon sign, a film camera could last you your entire shooting career. The brand thus became the equivalent of today’s megapixel count – an indication of how serious (read “good”) of a photographer you really were. In that not so long ago era, for the most part, Nikon was “pro” and Canon was not quite, quirky brands like Alpa were interesting, and Leica was as good as it got. And perhaps still is…?

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