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Seven years ago, when Grace Fuller, then a jewelry editor at
Vogue, met Diego Marroquin, the Mexican financier and art collector lived in a SoHo loft that, he offers with a self-deprecating laugh, “Grace would categorically describe as a bachelor pad.” There he paired a 1980s Joe D’Urso rolling table with the original Knoll sofa that had been created to exhibit alongside it. Marc Newson chairs surrounded a Martin Szekely dining table, joined by Maarten Van Severen bookshelves and a Kuramata feather stool. “It had a very distinct postmodern design aesthetic,” Marroquin notes. “But it wasn’t a family home.”