Weyes Blood: And in the Darkness, Hearts Aglow Sub Pop (16/44.1, Qobuz). 2022. Natalie Mering and Jonathan Rado, prods.; Kenny Gilmore, eng. Performance Sonics "These songs may not be manifestos or solutions, but I know they shed light on the meaning of our contemporary disillusionment." So says singer-songwriter Natalie Mering about her latest album under the name Weyes Blood (pronounced like "wise," a tribute to a novel by Flannery O'Connor).
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Program #242 (April 30 at 8:00pm and May 1 at 3:00pm)
Nehemiah Curtis “Skip” James possessed one of the most hauntingly distinctive styles in the blues, and, according to some who knew him, one of the most disturbed and complex personalities as well.
His vocals, guitar work, and song constructions raise the blues to a level of high art and rare beauty, yet his subject matter and presentation were of such a heavy, cheerless nature that Mississippi bluesman Johnnie Temple, a contemporary of Skip’s, told an interviewer that James’ music was so sad that people would pay him not to perform. Listeners can be entranced and fascinated by Skip James’ music, but they are not likely to find in it the entertainment value and uplifting power to soothe a troubled mind that is characteristic of other blues greats.