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Michael Beach live at Franks Wild Years on a Sunday afternoon. Supported by local legends, Tuffence Meringue. About this Event
Australian singer/songwriter Michael Beach is an architect of a sound that’s both well-built and ramshackle, straightforward and indeterminably complex, out of the norm yet familiar in all the best ways.
He returns with an epic fourth album that explores the duality of the human condition. It encapsulates human futility, passion, desire, anger, frustration, and the struggle to maintain hope in a somewhat hopeless time. Known for his work touring with the eccentric Israeli guitarist Charlie Megira and Australian guitar-pop band Thigh Master, Beach strives to convey both passion and compassion, energy and action.
Who Stole the Soul from Rock n Roll?
I. In
Back to the Future, It is Heavily Implied in Canon That Marty McFly Invented Rock ‘n Roll Music
When Marty McFly played guitar for the Enchantment Under the Sea band, I was sitting on the floor of my grandmother’s little two-bedroom house on Montlieu Avenue in High Point, North Carolina. My grandmother and I were watching
Back to the Future in various states of attention. Mine was rapt because it was my favorite movie; she was reading the paper or a magazine or something and looked up from her words when she heard the opening chords of “Johnny B. Goode.”
Poppy - I Disagree (Sumerian)
Rina Sawayama - Sawayama (Dirty Hit)
Dan Deacon - Mystic Familiar (Domino)
Food House - Food House (Dog Show)
HMLTD - West of Eden (Lucky Number)
Thundercat - It Is What It Is (Brainfeeder)
Deerhoof - Future Teenage Cave Artists (Joyful Noise)
Conway the Machine - From King to a GOD (Griselda/Drumwork/Empire)
Ash Koosha - Bluud (Realms)
Boldy James - The Price of Tea in China (Deluxe Edition) (ALC / Boldy James)
Deerhoof - Love-Lore (Joyful Noise & Deerhoof)
Carl Stone - Stolen Car (Electro-Acoustic Music (ASCAP))
The Soft Pink truth - Shall We Go On Sinning So That Grace May Increase? (Thrill Jockey)
Safety Net and Tape Deck Mountain Stream On at The 5 Spot Made-in-Nashville post-punk and shoegaze made for two excellent nights of streams from the East Side bar and venue Tweet
Safety Net
An abbreviated, irreverent cover of The Rolling Stones’ “Start Me Up,” played at double the speed of the original, was one of many surprises in
Safety Net’s performance, streamed Friday from
The 5 Spot via StageIt. The trio gained its sea legs in the months before COVID, supporting similarly minded locals Faux Ferocious, Goner Records no-wave heroines Nots and a reconstituted version of ’70s proto-punks Simply Saucer. But until putting the four-song
Remembering The Goner Records Cookbook The WHAT? memphisflyer.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from memphisflyer.com Daily Mail and Mail on Sunday newspapers.