translator: when i m painting a large goldfish, i can see a large goldfish swimming and it s as if i ve caught it with my broom, like it s right here. it s fishing within the surface of the paper. and when i ve caught a glimpse of it and caught it, that s when i put my brush to work. his passion for goldfish and their beauty withstands the test of time. despite the eye-bending realism of his creations, he modestly believes he has not yet achieved perfection. translator: i realize the goldfish is something incredibly important to us japanese. it carries many messages. how would i call it? identity. i want to keep doing this in this style until a beautiful goldfish is born.
than four feet in diameter. translator: it has such power. i really love it. people have never seen anything like this before. it s a skill only possessed by him. a skill created by him. the fact that they appear to be alive inside the wooden pail speaks to his skills, technique and his thoughts. translator: i realized if i didn t include an air ventilation that they would die. so i decided to also include some air in the piece, and through trial and error, painted bubbles. also caught on camera, he wows his gallery audience by creating a massive painting on traditional paper using a very unconventional brush. translator: when i m painting a large goldfish, i can see a large goldfish swimming and it s
unconventional brush. translator: when i m painting a large goldfish, i can see a large goldfish swimming and it s as if i ve caught it with my broom, like it s right here. it s fishing within the surface of the paper. and when i ve caught a glimpse of it and caught it, that s when i put my brush to work. his passion for goldfish and their beauty withstands the test of time. despite the eye-bending realism of his creations, he modestly believes he has not yet achieved perfection. translator: i realize the goldfish is something incredibly important to us japanese. it carries many messages. how would i call it? identity. i want to keep doing this in this style until a beautiful goldfish is born.
question? people who want passports. it s going to cost it s estimated over $150 million a day to shut down the government. it s absolutely crazy. do you think that there is any institutional memory in the congress as an institution about the last shut down? anything about the previous times this was tried, particularly 17 years ago when we had the longest shut down in history. it was the last shut down we had. is there any institutional memory in the congress about that previous experience that s informing what people are doing now? or is this like a bunch of goldfish swimming around a tiny bowl being surprised by the castle every time? that s pretty much what it is. we ve got, the people that are driving this shut down are people who don t have any institutional memory, and many of them, actually, have no legislative experience whatsoever. the legislative memory. so they came here on a mission
to be furloughed. you know who s going to be furloughed? we re not going to be able to supply the kind of personal protection for diplomats overseas in dangerous situations. does that raise the benghazi question? people who want passports. it s going to cost it s estimated over $150 million a day to shut down the government. it s absolutely crazy. do you think that there is any institutional memory in the congress as an institution about the last shut down? anything about the previous times this was tried, particularly 17 years ago when we had the longest shutdown in history? it was the last shutdown we had. is there any institutional memory in the congress about that previous experience that s informing what people are doing now? or is this like a bunch of goldfish swimming around a tiny bowl being surprised by the castle every time? that s pretty much what it is. we ve got, the people that are driving this shut down are people who don t have any institutional memory, and many of