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French cinema giant, Jean-Luc Godard, dies aged 91
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Godard Mon Amour
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2011’s
The Artist, the black-and-white paean to the silent film era, doesn’t hold much of a place in the film conversations of today. But the movie certainly struck a chord with Oscar voters the next year, winning Best Actor for Jean Dujardin, Best Director for
Michel Hazanavicius, and ultimately winning Best Picture.
Now, the filmmaker behind that cinematic anomaly has set his sights on a remake of the low-budget Japanese horror comedy
One Cut of the Dead, which is about a film crew that encounters real zombies while making a zombie movie – or at least that’s how it appears at first. You really, really should watch it. The new film, which is being shot in Hazanavicius’s native France, is called
‘Petite Maman’ Film Review: Céline Sciamma Weaves a Delicate Tale of Mothers and Daughters
Berlin 2021: There’s a haunting, novella-like quality to the director’s follow-up to “Portrait of a Lady on Fire”Alonso Duralde | March 4, 2021 @ 3:13 PM Last Updated: March 5, 2021 @ 9:17 AM
Berlinale
Anyone expecting another sweeping and passionate period piece from the director of “Portrait of a Lady on Fire” should begin recalibrating their expectations for Céline Sciamma’s follow-up, “Petite Maman.”
Intimately focused on a handful of characters, with a single fantastical event setting up its direct narrative through-line, this feature plays like a novella, or a short film, or both it’s the kind of piece that was once the bread-and-butter of PBS’ “American Playhouse” anthology series. And while “Petite Maman” is a vastly different from than “Portrait,” it furthers writer-director Sciamma’s reputation as a storyteller with a keen