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How Lingui, the Sacred Bonds Director Hopes to Change Chad s View on Abortion

TheWrap magazine: "I'm used to making films about men, but I knew I had to become a spokesman for these women," Mahamat-Saleh Haroun says

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Why Mexican Oscar Entry Prayers for the Stolen Avoided Scenes of Graphic Drug Violence

TheWrap magazine: "In Mexico, we’re very much contaminated by (violent) images we see constantly," director Tatiana Huezo says

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Flee is a Documentary That Could Only Be Done With Animation

TheWrap Magazine: “Having animation really gave him the space to open up," Jonas Poher Rasmussen says of convincing an Afghan refugee to share his story

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How The National Got Cyrano Star Peter Dinklage to Stop Singing Like Matt Berninger

"Peter, once he let go of trying to sing like Matt, found his own beautiful way of expressing these songs," band guitarist Bryce Dessner says

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Asghar Farhadi on How COVID Left a Mark on His Oscar Contender A Hero

TheWrap magazine: The Iranian director was able to erase physical signs of the pandemic, but the delays gave him months more in the rehearsal time he loves

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