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The best and worst opera of 2022 from the ENO, Royal Opera House, Glyndebourne and Welsh National Opera

Our companies have made extraordinary efforts to innovate this year yet the funding body's punishing cuts mean the art form is under threat

Covent gardenUnited kingdomGlasgow cityCity ofVerdi otelloErich korngoldJasdeep singh degunMargaret atwoodVoix humaineErrollyn wallenKurt cobainJulia bullockOliver leithHandel theodoraEthel smythKatie mitchell

The week in classical: Tredegar Band at the Proms; HMS Pinafore; Poulenc double bill – review

The Tredegar brass band wowed the Proms then were back in Wales in time for their day jobs. Plus, fizz and finesse in G&S and Poulenc

Blaenau gwentUnited kingdomElsa benoitVoix humaineDavid eatonVaughan williamsRyan bancroftGavin higginsAlbert hallCaroline ginetJohn savourninJoseph porterLaurent pellyGlyndebourne poulencRichard straussRobin ticciati

A classic in the making: Glyndebourne s Poulenc double bill reviewed

A classic in the making: Glyndebourne s Poulenc double bill reviewed
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East sussexUnited kingdomAlbert hallCaroline ginetIlan volkovElsa benoitJennifer walsheLaurent pellyGlyndebourne poulencAdam curtisRobin ticciatiHk gruber frankensteinHeath robinsonLes mamelles de tirFestival operaJacques demy

Jealousy, anger, tears – the BBC s La voix humaine is a searing portrait of a woman spurned

Danielle de Niese excels in Poulenc’s operatic adaptation of the Cocteau drama, about an ex-lover on the phone to the one who jilted her

Felicity lottJames kentBarbara hanniganDenise duvalGlyndebourne poulencJean cocteauMaria callasAntonio pappanoPedro almodGood fridayFrancis poulencRoyal opera orchestraDanielle de nieseTelevision editor 39s choiceCulture editor 39s choice