campbell s work. well, it was in 2019 at the outsider art fair. i was totally blown away and i found out he is from philadelphia. and then i wasco like,me come o i m a philadelphian. i don t even knoand i w this gus work. and i should. it was fantastic.tast itic was buildings based on iconic philly architecture. there was the divine lorrained i hotecol. philadelphia museu there was a philadelphia museum of art. there was a betsy ross house. j it was just unbelievable, the attention to detail. buetait the rawness at the samet time, like if you look closely, the can really see the materials that campbell uses, which is found, objects like cardboard, all kinds off different paint spray paints, glues., but when you stand back , it lop looks perfect in some of the most prestigious collections in the united states . he s i t n some of the mostnowned u renowned museums in the unitedid states . does he understand that how significant that is as an artist?
things deter him. he s turned what most people throw out into these massive intricate collectible artistic works. alex , tell me about the first time you saw campbell s work. well, it was in twenty nineteen at the outsider art fair. i was totally blown away and i found out he was from philadelphia that i was like, come on , i m a philadelphia and i don t even know this guy s work. and i should say it was fantastic. it was building based iconic philly architecture. there was the divine lorraine hotel. there was a philadelphia museum of art. there was a betsy ross house. it was this unbelievable the attention to detail. but the rawness at the same time like if you look closely, you can really see the materials that campbell uses, which is found objects like cardboard, all kinds of different paint spray paints, glues. but when you stand back it looks perfect. it s breathtaking. all episodes of hidden gems
either one of those things deter him. alex, tell me about the first time you saw his work. well, it was in 2019. i was totally blown away. i found out he was from philadelphia and i was like come on! i don t even know this guy s work and they should. if it was fantastic. it was building, based on iconic philly architecture and there was the divine lorraine hotel, the philadelphia museum of art, the betsy ross house. it was just unbelievable. the attention to detail, but the rawness at the same time. if you look closely, you can really see the materials that he uses. witches found objects like cardboard, all kinds of different paints, spray paints, glues. but when you stand back it looks perfect. laura: it s breathtaking. all episodes are available right
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force in other roles but the union says the officers who quit the force say, quote, they were left with no other alternative than to quit that rapid he response team rapid response team. christina coleman following this developing story in los angeles. this is a message to police officers who have been under siege. reporter: that s right, eric. the union says these 50 officers on the riot control squad had enough of the anti-police and anti-public safety sentiment. the union released a statement saying in part, quote, until now, they have continued to come to work every day exhausted and injured. the only glue holding the team together was their commitment, dedication and integrity to serve their community. but that glues dissolved when political venom demonized the public servants for doing what they were tasked to do, restore peace and order in our city. when elected officials turn nightly violence into political banter for their own personal agenda, those actions put rapid