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Now Listen Eagle Rock Turns 50 and Ross Wilson Talks About Its Origins

Daddy Cool’s iconic ‘Eagle Rock’ is a song based on sexual innuendo or to be perfectly blunt, it’s a song about rooting. The Daddy Cool classic ‘Eagle Rock’ will turn 50 in May 2021. The song was a national number one in Australia for 10 weeks in 1971 and charted again in 1986 and 1990. To mark the 50th anniversary of the song songwriter Ross Wilson took Noise11 through the conception and history of ‘Eagle Rock’. The term ‘Eagle Rock’ in song dates back to 1914 when it was used in the lyrics of ‘Ballin’ The Jack’ by Chris Smith. ‘Ballin’ The Jack’ was a locomotive term for going at full speed and Eagle Rock’, well Ross explains … “The Eagle Rock was a dance but like rock and roll it is also a euphemism for you know what, yes rooting, spread eagling.

New Year s Eve: guide | TV Tonight

11:40pm Movie: 10 John Foreman’s Aussie Pops Orchestra New Year’s Eve Gala If you are keeping the soft clothes on and signing off on the year that wasn’t from the comfort of your couch this New Year’s Eve, you can now do so while celebrating the return of live music with host and musician John Foreman and a 53-piece Aussie Pops Orchestra. This contemporary orchestra have performed on New Year’s Eve for over 30 years, but this time, they are reinventing their sell-out show for television so everyone at home can join in on the festivities. Music to one’s ears!

What s on TV: Friday, December 25 to Thursday, December 31

What s on TV: Friday, December 25 to Thursday, December 31 What s on TV: Friday, December 25 to Thursday, December 31 By Craig Mathieson and Debbie Enker Updated December 19, 2020 6.30pm Normal text size The inaugural Royal Command Performance was held in 1912, with King George V and Queen Mary rocking up for a charitable benefit that was not without controversy: music-hall star Marie Lloyd was reportedly not invited because her act was considered risque and she d been married three times. This year s event, hosted by Jason Manford, had to contend with somewhat different issues. Due to COVID-19 restrictions, the Blackpool Opera House was full of television monitors, providing a virtual audience for the pre-recorded performances. Those facing the sea of screens include Take That s Gary Barlow, robotic pop act Steps, and West End star Samantha Barks, although the real showstopper may be centenarian Sir Thomas Moore, the World War II veteran whose lockdown garden walks for ch

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