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Snapchat and LACMA celebrate diversity in LA

Snapchat and LACMA celebrate diversity in LA Snapchat and LACMA celebrate diversity in LA For ‘Snapchat x LACMA: Monumental Perspectives’, five LA artists create an augmented reality monument in ode to the city’s history and culture Ruben Ochoa, © Ruben Ochoa, image courtesy of Snap Inc. After a year of experiencing art (along with almost everything else) in the digital realm, the value of going virtual is being explored deeper through a new partnership between social platform Snapchat and the Los Angeles County Museum of Art (LACMA). The multi-year initiative will bring together local artists and technologists from different communities in Los Angeles to highlight and share under-represented histories from the region with a wider audience. 

From the Art of Doobie-Smoking Dogs to a Wildfire at a Cape Town Library: The Best and Worst of the Art World This Week

From the Art of Doobie-Smoking Dogs to a Wildfire at a Cape Town Library: The Best and Worst of the Art World This Week Catch up on this week s news, fast. BEST Creative Conversations –  Sotheby’s Soars in Hong Kong – The auction house netted $122.5 million at its contemporary art sale, setting records for young artists Salman Toor and Avery Singer. WORST The best of Artnet News in your inbox Please enter a valid email address Signup failed. Please try again later. Thank you for subscribing! The best of Artnet News in your inbox Please enter a valid email address Signup failed. Please try again later.

It s the Prelude to the Renaissance : Actor Jesse Williams and Artist Glenn Kaino on Why Creatives of Color Can Experiment Like Never Before

‘It’s the Prelude to the Renaissance’: Actor Jesse Williams and Artist Glenn Kaino on Why Creatives of Color Can Experiment Like Never Before The longtime friends and business partners spoke about the intersection of art, tech, and social justice. Glenn Kaino and Jesse Williams. Photo courtesy Kaino and Williams. When artist Glenn Kaino first met actor and activist Jesse Williams, it was instant creative kismet. The two recognized in each other a shared interest in art and technology, as well as a desire to give voice to overlooked cultures and pushback against the nuance-free, swath-like narratives that so often serve to summarize whole races of people in media.

At Mass MoCA, Glenn Kaino builds a bridge between Bloody Sundays

At Mass MoCA, Glenn Kaino builds a bridge between Bloody Sundays By Murray Whyte Globe Staff,Updated April 15, 2021, 1 hour ago Email to a Friend Glenn Kaino was photographed this month with In the Light of a Shadow at Mass MoCA, an installation that unites protest movements from Selma, Ala., to Derry, Northern Ireland.Lane Turner/Globe Staff NORTH ADAMS — “Hey Chris, can you trigger the heartbeat?” says Glenn Kaino, calling into the inky blackness of Mass MoCA’s cavernous Building 5. Then it starts: A rhythmic, primal thud, followed by the strains of a mournful dirge. A swarm of stones rises into view, suspended midair like an array of cosmic debris. A

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