A vast empty Western landscape. The camera pans across it. Then the shot slides onto a sunburned, desperate face. The long shot has become a closeup without a cut, revealing that the landscape was not empty but occupied by a desperado very close to us.
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Sam Peckinpah saved the legacy of the American Western in the ’60s as film critics were wanting to declare the genre cinematically dead in the wake of all the amazing titles arriving from Europe as part of the Spaghetti Western wave. At this point, Hollywood studios were more than satisfied making dozens of cowboy shows for television since it was economically more viable.
Gunsmoke, Bonanza, Rawhide and others were keeping people at home when they wanted action on the wild frontier. Peckinpah had found a home making westerns for TV as a writer and director. He even created
The Westerner series starring Brian Keith (