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The new Guardian Glass Training Center offers glass knowledge, skills and training

The team helping Dundee Rep s young company navigate an uncertain world

TASHI Gore and Jess Thorpe are two of the UK’s foremost experts in the art of devised theatre. Founders of the acclaimed, cross-generational…

20 Farringdon Street - Case Study

20 Farringdon Street - Case Study
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The pandemic has shown just how important culture is to all of our lives

preview The world premiere of Eat Me, a filmed performance by theatre company Snap-Elastic, has been pushed back to next year LATE every January arts lovers are treated to Manipulate, Edinburgh’s annual festival of visual theatre and animation. Wonderfully diverse, exciting and international in its programming, the event is a welcome distraction from the winter blues. However, this year, with Covid continuing to plague our society, the festival’s organisers have had to make big changes. It has been something of a baptism of fire for Dawn Taylor, who only took the reins as artistic director of Puppet Animation Scotland (producers of Manipulate) in August of last year.

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