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Underrated Paul McCartney: The Most Overlooked Song From Each LP

Underrated Paul McCartney: The Most Overlooked Song From Each LP
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Three to See Saturday: SNAP posters the hood, That s Entertainment! and Ike White

Author of the article: Fish Griwkowsky Publishing date: Mar 12, 2021  •  March 12, 2021  •  1 minute read  •  Posters by Sanaa Humayan, Ana Smith, Grace Panineau-Couture and Alex Keays are in SNAP s front window. Photo by Fish Griwkowsky /Postmedia` Reviews and recommendations are unbiased and products are independently selected. Postmedia may earn an affiliate commission from purchases made through links on this page. Article content Queen Mary Park Poster Project: Window galleries are so pandemic hot right now, which makes perfect sense but SNAP had its display front face planned all along when it opened its new location on 115 Street a year back. What they have up behind glass right now is sort of the culmination of an ongoing “hello” project where four print artists with ties to the neighbourhood were asked to make posters including an interactive survey to post throughout the neighbourhood.

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Paul McCartney, McCartney III : Album Review

Paul McCartney s experimental streak goes way back. He played around with words, sounds and concepts with the Beatles and then launched his solo career with a self-titled album in 1970 that took his experiments to a more personal space. Fed up with the collaborative group format, at least for the time being, the chart-topping McCartney was made solely as a one-man-band project. Ten years, and a different band, later, he followed it up with another totally solo record, McCartney II, this time indulging in his favorite new instrument: the synthesizer. In between and after those two records, he toyed with his ambitions – from 1971 s

Paul McCartney, McCartney III : Album Review

Paul McCartney s experimental streak goes way back. He played around with words, sounds and concepts with the Beatles and then launched his solo career with a self-titled album in 1970 that took his experiments to a more personal space. Fed up with the collaborative group format, at least for the time being, the chart-topping McCartney was made solely as a one-man-band project. Ten years, and a different band, later, he followed it up with another totally solo record, McCartney II, this time indulging in his favorite new instrument: the synthesizer. In between and after those two records, he toyed with his ambitions – from 1971 s

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