THE EXHIBITION “MIGHT FEEL A LITTLE LIKE A FUN HOUSE,” Lauren Roso tells me at the Centre d’art Contemporain Genève. Lauren, alongside Marco Roso, David Toro, and Solomon Chase, is part of the collective DIS, which, with the Centre’s director, Andrea Bellini, has curated this year’s Biennale de l’Image de Mouvement, titled “A Goodbye Letter, A Love Call, A Wakeup Song” and billed as “an exit from our human-centered, capitalist death drive.”In preparation for it, each of the show’s three floors was divided into viewing rooms connected by dark, twisting halls. Visible from circular windows, these
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