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John Stamos recalls the chaos the morning of Bob Saget s death

The 9 Best Books Directing Films – IndieWire

Sammy Hagar Says Meaning Of His Classic Song I Can t Drive 55 Has Changed Over The Years

While promoting his critically acclaimed Las Vegas Strip residency "Sammy Hagar & Friends", Sammy Hagar spoke to Fox5 KVVU-TV about the inspira.

What Robert Zemeckis Can Teach Us About the Moving Master Shot

What Robert Zemeckis Can Teach Us About the Moving Master Shot Want to get a lot of coverage with fewer set-ups? Consider opting for a moving master. Universal Pictures Welcome to The Queue your daily distraction of curated video content sourced from across the web. Today, we’re watching a video essay about how director Robert Zemeckis is the master of the moving master shot. Let’s be honest, long takes get all the glory. And, to be fair, there is something delightfully audacious about a well-executed oner: the intense staging, the impossibly fluid camera, all the different moving parts. Continuous shots are difficult to pull off, which is, in part, why they drum up so much praise and hype. Heck, there are even full, feature-length films entirely structured around the spectacle of a single shot (or the appearance thereof):

How Sammy Hagar Outmuscled Sly Stallone in Winner Takes It All

How Sammy Hagar Outmuscled Sly Stallone in Winner Takes It All
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