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The Story of My Wife tops Films Boutique s sparkling Cannes slate
cineuropa.net - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from cineuropa.net Daily Mail and Mail on Sunday newspapers.
The Story of My Wife tops Films Boutique s sparkling Cannes slate
cineuropa.org - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from cineuropa.org Daily Mail and Mail on Sunday newspapers.
“The film is set in Morocco and Spain, but the filming will be done in Croatia, which is challenging in itself. Still, the experienced and well-prepared crew we will be working with in Croatia will make it that much easier,” says producer
Germen Boelens,of Revolver Amsterdam.
Nukleus Film s
Siniša Juričić adds: The filming is very challenging. The crew gets tested every two days; the director remains in her so-called ‘bubble’ along with only a handful of other people… We have made a great effort in terms of security, with the Netherlands Film Fund having provided financial support in that regard. I should also point out that the Croatian Audiovisual Centre was very helpful in providing assistance with bringing our actress over from Morocco, which is currently a country without a visa or diplomatic system.
credit: HAVC
PULA: Dutch director Jacqueline Van Vugt started filming her debut feature
Crossing in Pula on 5 May 2021. The film, coproduced by Revolver Films (the Netherlands), A Private View (Belgium) and Nukleus film (Croatia), is set in the Mediterranean Sea, but the filming will be done in Croatia. Tax rebates are provided through the Filming in Croatia programme.
The crew will spend 11 days filming in the Croatian cities of Pula, Rijeka, Zadar and Zagreb, in addition to 19 days spent on ferries provided by the local transport company Jadrolinija. According to Siniša Juričić from Nukleus film, who is the executive producer, local professionals make 85 percent of the film crew.
Hungarian Film and TV Biz Make Play for Global Stage at Berlin Festival
Alissa Simon, provided by
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For the first time ever, two Hungarian films are competing for the Berlinale’s Golden Bear: “Forest – I See You Everywhere,” a standalone sequel to the 2003 Berlinale hit “Forest,” from veteran auteur Bence Fliegauf, and “Natural Light” from feature debutant Dénes Nagy. Csaba Káel, chairman of the National Film Institute of Hungary (NFI), says, “I believe it demonstrates the vitality and strength of the Hungarian industry flourishing despite the unprecedented circumstances caused by the pandemic worldwide.”
The two films represent opposite poles of current Hungarian filmmaking. Brimming with discourse, the independently funded “Forest” tells multiple complex, engaging stories of contemporary life in Hungary. And as he did in his Berlinale-winner “Just the Wind” (2012), Fliegauf creates deep empathy for his characters who deliver sta
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