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As we delve deeper into our exploration of key job titles within the intersection of architecture and the broader world of design, we turn our attention to a role that plays a pivotal part in the realms of film, television, and theater: the Set Designer. This role, while distinct, shares a.
I invariably try to reread E.B. White’s small book, “Here’s Is New York,” first published in Holiday, before I head to New York City, whether for business or pleasure. While published in 1949, parts of it still ring true, memorably describing the quality of life in the Big Apple along with its ebb and flow. […]
As an adolescent developing an interest in old cinema, one of my prized books was Roger Manvell s 1946 Film, and through its pages, I first formed impressions of what certain films looked like. There were striking double-exposure shots from German Expressionist classics like Carl Mayer s 1924 The Last Laugh, images that emphasised giant shadows, and people caught in quiet contemplation.