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Review: And Yet We Were All Blind

24/11/2022 - Béatrice Pollet delivers a captivating legal thriller on the subject of motherhood, exploring a seemingly unfathomable act

Review: And Yet We Were All Blind

24/11/2022 - Béatrice Pollet delivers a captivating legal thriller on the subject of motherhood, exploring a seemingly unfathomable act

The Best Cinematography of 2020

The Best Cinematography of 2020 December 22, 2020 “A cinematographer is a visual psychiatrist–moving an audience through a movie […] making them think the way you want them to think, painting pictures in the dark,” said the late, great Gordon Willis. As we continue our year-end coverage, one aspect we must highlight is, indeed, cinematography. From talented newcomers to seasoned professionals, we’ve rounded up the examples that have most impressed us this year. Check out our rundown below. An Easy Girl (Georges Lechaptois) The French Riviera is the fitting location for this tale of sexual discovery and class criticism. Georges Lechaptois’ frames are gorgeous not just because of the landscape––we have reoccurring overhead shots of the crystal-blue tides rustling against the beach where characters lay––but the juxtaposition of the quiet life out on the sea. The sun-soaked vistas at lunch are as lively as the quiet, sensuous nights the lovers spend in their dimly

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