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May 23, 2021 The Double Cube Room. The 9th Earl placed the painting by van Dyck of Charles I’s children Credit: Will Pryce/Country Life
In the early 18th century, Wilton House in Wiltshire underwent improvement at the hands of the 9th Earl of Pembroke, an enthusiastic amateur architect. For a new book on Wilton to this day the seat of the Earl of Pembroke John Martin Robinson assesses his remarkable legacy. Photography by Will Pryce and Simon Upton.
The splendours of Wilton today owe a great deal to the early 18th century and the figure of Henry, 9th Earl of Pembroke, (1689–1750), known as the ‘Architect’ Earl. His often-overlooked contribution to this magnificent house in origin a great Benedictine convent that was suppressed at the Reformation and repeatedly remodelled thereafter was described by Horace Walpole: ‘The towers, the chambers, the scenes which Holbein, Jones and Vandyke had decorated, and which Earl Thomas had enriched with the spoils
Jonathan Richardson the elder (1667–1745) National Portrait Gallery, London
Horace Walpole, who based his account of Kent on George Vertue s unflattering biography, regarded his work as a painter as below mediocrity . This has been the nearly unanimous verdict of posterity.
Yet, it should not be forgotten that Kent had trained as a painter in Rome. According to Vertue, who is probably a reasonably reliable source for this, after an initial apprenticeship as a coach painter & house painter he migrated to London and travelled out to Italy in July 1709 in company with John Talman, son of the leading architect of the time, and Daniel Lock, who was, like Talman, a person of wide artistic tastes.